We are in the middle of preparing for tonight's performance. We've been gifted the space of Preston Bradley Hall and we continue to get reservations, now approaching 250. The community is embracing the project and we are very grateful. And I am grateful by the many gifts this project has brought into my life and the lives of all the participants:
new sources of support
new understanding
new career directions
new insights
new commitments
new partnerships
new friendships
Please join us this evening. It is the next step in the journey. A journey that will continue.
We do receive
Peace through Art,
Lisa
"It's awesome. It's fantastic. I'm glad to be a part of it."
"Talking to people, not being judged, it's been great."
--Matt Ping, OEF veteran
"I'm just in awe. The support from friends and family for this project has meant the world to me, and restored my faith in humanity."
--Jessa Carlstrom, uber artist and Vet Art co-facilitator
23 February 2009
Inspired by a Veteran--One Story Among Many
The stories of our Vet Art participant veterans are powerful in their re-creations of the daily tragedies of war. Not only has the Vet Art Project stirred up many war-related memories in my mind, it has rekindled a desire to be more politically active. I am grateful to a veteran who inspired me to write a letter to President Obama about the purpose of the current wars.
In a recent Newsweek article entitled "Obama's Vietnam," (02.09.09), I was struck by the article's comparison of our current wars to the horrific situation my generation faced in Vietnam. Military expert Douglas Lute's statement that the U.S. has "never been beaten tactically in a fire fight in Afghanistan" is akin to the Vietnam era military expert Harry Summers' exchange with a North Vietnamese Army expert. When Summers had stated "you never defeated us in the field," the Vietnamese military officer simply replied, "That may be true. It is also irrelevant."
It is time for the U.S. to be "relevant" on so many fronts.
--Janis Clark Johnston
In a recent Newsweek article entitled "Obama's Vietnam," (02.09.09), I was struck by the article's comparison of our current wars to the horrific situation my generation faced in Vietnam. Military expert Douglas Lute's statement that the U.S. has "never been beaten tactically in a fire fight in Afghanistan" is akin to the Vietnam era military expert Harry Summers' exchange with a North Vietnamese Army expert. When Summers had stated "you never defeated us in the field," the Vietnamese military officer simply replied, "That may be true. It is also irrelevant."
It is time for the U.S. to be "relevant" on so many fronts.
--Janis Clark Johnston
20 February 2009
The Good News at 6:14 a.m.
The excitement and the work rattled my bones awake this morning. Again. I walked up to my Studio to get some work done, to meditate, and hopefully soon, to get more than 4 hours of sleep. Before beginning my journey back to bed I checked the DCA Box Office for the number of tickets available to the Vet Art Project performance this Monday. Two days ago the DCA Theater staff offered us the magnificent venue of Preston Bradley Hall because we sold out the maximum number of seats that would fit in the Studio Theater space (99). Two days ago the set up of 200 seats showed 99 were available. Yesterday it hovered around 60-seats remaining. Now, at this early morning hour, there are 34 seats remaining. The word is spreading. The people are coming. We will have a fine and large community gather together to witness the stories.
I'm so proud of all of us--the veterans, the artists, the community members who have gathered together over the past month to witness the stories of those who serve us in the armed forces. We gather in their name. We gather in our name. We gather together to remember those we have lost and to honor those we are fighting not to lose. This is testament to people waking up and realizing that war affects us all and it the warriors who will lead us to peace if we give them our time and attention. We are a community. And we are growing ever stronger. Now I can hear the drums calling us not to war, but to peace. Now.
18 February 2009
My Dad's Stories, Contributed by Dani Brzozowski
My dad and I only rarely have fruitful conversations. When we do, they're frequently, morbidly, pragmatically, about his mortality, and the steps I (and my expert opinion--honed from WebMD and Reader's Digest) suggest to delay said mortality. It is out of the ordinary for us to discuss much beyond the trans fat content of a bag of pretzels. I occasionally call him out on his erratic behavior, and even more occasionally, he responds with less an explanation of the cause of his behavior and more a reminder that he loves my mother, he loves me, etc.
He knows he has PTSD and we all know, too. But none of us knows what it means for him or for any of us. It's less an elephant in the room and more the room itself, all of us living in it, unsure of ourselves, in the cavernous confines, echoing space PTSD opens up.
Dad has been a soldier ever since I can remember and, as his retirement draws near (he swears this time it's for real, this time he won't chicken out), he's turned reflective, opening up in a way that is at once fascinating and uncomfortable.
His stories are my stories, and hearing these stories is essential--it's how I build out my personal history, the sage of my family. As a writer, being denied these stories has always pained me. I (selfishly) thought it was unfair for them to be withheld, thought he was being cruel by keeping from me the secrets that I thought held the key to his identity and subsequently my own.
Working with the Vet Art Project gave me the opportunity to confront some of those secrets, to discover things about my DAd I didn't know. It gave me a chance to have a fruitful, honest conversation with him , and it forced me to be honest with myself. His stories do not belong to me. They belong to him and him alone, and I know now that this, not selfishness, not cruelty, is why he hasn't shared them before.
I know there are hundreds of secrets he clings to, dozens he'll probably never let go of, but I'm grateful to have witnessed the stories he's been willing to share, and I'll continue to keep my ears perked up, just in case he decides to share again.
11 February 2009
Midway Reflections
The Vet Art Project is about midway through our time in the Studio Theater and the gifts are many. Some incredible things are happening. Connections among the veterans are being built and between veterans and artists, between veterans and those who are still active in their service. Decades may separate the veterans yet many elements of their journeys are the same: estrangement from self, from others, a shattered self, the loss of one's soul. We paint it, we draw it, we create collages based on it, we discuss it, we write about it. The artists are learning a great deal, too, and we share it and will continue to share it, as we receive the blessings of community and connection. This experience has changed the lives of many--not just the veterans but the artists as well.
We look forward to sharing the results with the wider community at the performance on 2.23 @ 7:30 p.m. followed by a talkback.
07 February 2009
Amazing Moments in the Vet Art Project
--The reverent silence of the artists the first night when Bob and John from Dryhootch.org opened up and shared their life journeys and their challenges with PTSD.
--Hearing two male combat veterans thank another female veteran for her service, off the field of combat, and letting her know that her service was equally as valuable.
--Witnessing the stories of two combat veterans, whose experiences are separated by 40 years, yet their journeys back are similar.
--A female veteran opening up to share her story with a reporter while she made a collage in words and pictures
[The pictured image was created by Christina Reddington, RN, the facilitator of the Picture Stories of War program.]
06 February 2009
First Night Reflections--on last Tuesday
The artists' orientation began the Vet Art Project with nearly 40 artists sharing different stories and reasons for getting involved in the project. The room felt electric yet vast, widened by our various journeys to this place and time. Yet when Bob and John, two Vietnam Veterans began to share their stories of time lost and challenges they've faced due to PTSD, and how they were saved because of the kindness and support of family members and friends, we came together as one community. We gather to bare witness to these truths, to help strengthen these voices, to create art to express these feelings and realities. We realized we gathered for one purpose: to support our veterans in their truth by bringing these stories to the community and connect us all by how we are affected by war.
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